apocalypse-puppy

A record of thoughts about teaching, writing, and living the academic life.

Friday, October 15, 2010

herod's theater box

This summer I had the opportunity to visit a number of sites related to Herodian Dynasty in Israel. One of the interesting things about Herod the Great (37 BCE-4 BCE) is his relationship to the major players involved in the emergence of the Roman Empire. Initially allied with Mark Antony, after Octavian's victory, Herod courted his favor. He met Octavian at Rhodes where he turned his loyalty to Mark Antony into a positive factor, proclaiming that his loyalty would now be directed toward Octavian. After Octavian's acceptance of his loyalty, Herod built Ceasarea Maritima in the then-named Augustus' honor.



Ceasarea wasn't the only Herodian building project reflecting Roman influence. Although Herod's building at Herodium, a hill South of Jerusalem, began prior to Herod's connections to Augustus, archeologist Ehud Netzer suggests that the building project may have been part of Herod's attempt at demonstrating his sophistication to Roman elites. The site at Herodium included a luxury palace, gardens, a large bath complex and a theater. Recently, Netzer and his team, who had been searching for Herod's tomb, discovered a private theater box at the top of theater. This box has recently been featured in the National Geographic. As the images in the article reveal, the box was sumptuously painted, including faux windows and scenes of the Nile, which were especially popular among Romans. When the group I traveled with this summer met with Netzer, he showed us the box, which Zealots later turned into a kitchen, explaining that he believed Herod had this painted especially to impress his Roman guests. These paintings, in fact, are some of the few Roman paintings in Judea with human and animal figures. Other Herodian decorative arts, such as the mosaics at Masada, refrain from depicting such figures. This is something scholars have attributed to Herod's compliance with the Jewish prohibitions against images. This box potentially challenges some of the the assumptions scholars have held about Herod and his relation to Jewish tradition.

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